Woven Fabric Defects: Where Each One Comes From

Why the origin matters more than the name

When a roll arrives with a fault on it, the useful question is not what it is called but where it happened. A fault introduced at the yarn stage runs through the whole lot. A fault from a single loom stoppage sits at one point along the length. A fault created in finishing may affect every roll processed in that batch, including rolls woven weeks apart.

That distinction also tells you whether a fix is possible. A shade issue caught before finishing can often be corrected. A crease heat-set into a polyester blend cannot be pressed out afterwards, because the fibre has been set in that shape.

We weave in-house at our own unit in Atoon and send cloth to processing partners in Bhilwara for dyeing and finishing. That split is the reason we can tell a buyer which stage a fault came from rather than treating the whole run as one black box.

Defect origin map

This is an origin map, not a severity ranking. A single small oil spot may be trivial on a workwear order and unacceptable on a white shirting one, which is why inspection is graded against the end use rather than against a universal pass mark.

The faults that start at the loom

A starting mark appears because the warp relaxes while a loom is stopped. When the loom restarts, the cloth fell has drifted, and the first picks after the restart sit at a different density from the rest. Whether it reads as a thin line or a thick one depends on whether the tension at restart was lower or higher than normal. Longer stoppages make it worse.

Reed marks come from the reed itself: bent or unevenly spaced wires leave lengthways lines where the warp ends are grouped slightly wrong. Temple marks appear at both edges because the temple grips the cloth there to hold it out to width.

These are the faults we can see and act on at our own weaving floor, before greige cloth leaves for processing.

The faults that start in dyeing and finishing

Bow and skew are pulled into the cloth wherever tension is uneven across the width. The correction has to happen before the cloth is gripped for setting, because once it is held in a distorted position and set, the distortion is locked in.

Shade banding across the width usually traces back to uneven conditions across the machine rather than to the dye recipe. A polyester blend dyes according to how the fibre has been set, so uneven temperature across the width changes how much dye each part of the cloth takes up. That is the mechanical link between a setting fault and a shade band.

Creases follow the same logic. A rope crease that is cooled quickly in a thermoplastic fibre is set in the same way a pleat is set deliberately, and no amount of pressing later will remove it.

These stages run at our processing partners. What we do is check the returning lot against the approved reference standard before it is warehoused, so a finishing fault is caught at the mill rather than at your cutting table.

What to do when you find a fault on delivery

• Photograph it with something for scale, and note how far along the roll it sits and how far in from the selvedge.
• Check whether it repeats. A repeating fault points at the machine, a one-off points at an event such as a stoppage.
• Check whether it appears on more than one roll. Across rolls points at yarn or at a processing batch, one roll points at one loom.
• Say whether it is within the cuttable width or in the selvedge zone you were going to lose anyway.
• Raise it before cutting. Once the cloth is cut the origin becomes much harder to establish and the remedies narrow.

Our guide on how to inspect uniform fabric on delivery covers the receiving check itself in more detail.

A note on point-based inspection systems

Fabric inspection is commonly scored by assigning penalty points to each defect according to its length, and totalling them over a set area. Buyers and mills then agree a threshold above which a roll is rejected.

Two things are worth knowing. The scoring method and the acceptance threshold are separate: the method comes from a published standard, the threshold is a commercial term you agree in your contract. And a widely quoted threshold figure is trade convention rather than something written into the standard, so put the number you want into your purchase order instead of assuming it applies by default.

FAQ

Frequently asked questions

What causes bowing in a checked or striped uniform fabric?

Uneven tension across the width during wet processing and setting, which pulls the centre of the cloth ahead of the edges or the reverse. It is most visible on checks and stripes because the pattern makes the curve obvious. It has to be corrected before the cloth is held and set, since setting locks the distortion in.

Why does a crease sometimes refuse to press out?

Because polyester is thermoplastic. If a crease is present while the fabric is hot and it is then cooled quickly, the fibre is set in that shape, in the same way a deliberate pleat is set. Later pressing at normal garment temperatures will not undo it.

Is a shade difference between the middle and the edges a dyeing fault or a weaving fault?

Almost always a wet-processing one. It usually reflects uneven conditions across the width of the machine rather than the dye recipe itself, since the recipe is the same across the whole piece.

Can every fault be identified after the fabric is finished?

Not always with certainty. Some faults look similar whatever their origin, and finishing can mask a weaving fault or make it more visible. This is why the pattern matters: whether the fault repeats, whether it appears on one roll or several, and where it sits along the length.

Which of these stages does Benny Cotts run itself?

Weaving, at our own unit in Atoon, Bhilwara. Dyeing and finishing run through processing partners in the region. We check the returning lot against the approved reference standard before despatch, so faults from either stage are caught at the mill.